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Frameline·

Night Bus, Top Deck Late shift

published Aug 22, 2026
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The city scrolling past the front window at two in the morning.

The edit was built around the music rather than the other way round, which gives the whole piece a steady, walking rhythm.

There is no dialogue for most of the running time, and it never needs any. The pictures carry the story on their own.

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Card, glue and very small scissors

Supplies for stop-motion sets, from grid mats to archival card stock.

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Ada Winslow

Editor-in-chief. Ada cut trailers for ten years before starting Frameline, and still watches every short twice.

8 posts
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10 comments

  1. F
    Felix Wagner 3 weeks ago
    Ha, I thought the same thing.
    reply
  2. M
    Mina Park 3 weeks ago
    How long did this take to film?
    reply
    1. O
      Owen Blake 2 weeks ago
      The sound in this one is incredible.
      reply
  3. K
    Kwame Mensah 4 weeks ago
    The quiet parts are the best parts.
    reply
  4. R
    Ruth Evans 4 weeks ago
    Agreed, that part surprised me too.
    reply
    1. D
      Dev Patel 3 weeks ago
      Watched it twice, noticed something new the second time.
      reply
  5. K
    Kwame Mensah 4 weeks ago
    This made my commute so much better.
    reply
  6. O
    Owen Blake 4 weeks ago
    Sending this to my brother, he will love it.
    reply
  7. T
    Tomasz Nowak 4 weeks ago
    How long did this take to film?
    reply
  8. L
    Lucía Ferrer 4 weeks ago
    That last shot, though.
    reply
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